“The Vagina Monologues, an episodic play written by Eve Ensler, debuted at HERE Arts Center, Off-Off-Broadway in 1996. Then dubbed by the New York Times as probably the “most important piece of political theater of the last decade,” The Vagina Monologues has since taken the world by storm. And thanks to actress, producer, and director Lindsay Bretz-Morgan, it’ll finally be making its way to Lancaster. ” Read more
Fine Living Lancaster: “Lindsay Bretz-Morgan On Bringing The Vagina Monologues To Lancaster”
“Lindsay Bretz-Morgan, an area stage veteran, borrows some of the moxie of her prior stage character Reno Sweeney to make her Donna Sheridan, former lead singer of Donna and the Dynamos, stand out as the original strong woman. From her first-act “Mamma Mia” with the ensemble to her second-act “The Winner Takes it All” that nearly caused total audience meltdown when this reviewer heard it, Bretz-Morgan is all heart, soul and lung power.”
– Marakay Rogers, BroadwayWorld.Com on “Mamma Mia” at Allenberry Playhouse
“Lindsay Bretz-Morgan as Violet…can sing out in a major way. It’s Bretz-Morgan who’s the star of this show, with a commanding voice and a presence that holds audience attention.“
– Marakay Rogers, BroadwayWorld.com on “9 to 5 The Musical” at Carlisle Theatre
“Lindsay Bretz- Morgan can belt out a song. Her version of “Cabaret” was memorable for its volume and intensity…I thought this lady should be performing in Hollywood or New York.”
– Carlton M. Davis, “Cabaret at the Capital” on “Cabaret” at the Harrisburg Midtown Arts Center
“Veteran actor Lindsay-Bretz Morgan literally shines in the title role, inhabiting the complicated persona of Eva Peron in convincing fashion. She also delivers powerful singing, including an especially potent rendition of the show’s signature song, “Don’t Cry For Me Argentina.”
– David N. Dunkle, PennLive on “Evita” at Oystermill Playhouse
– Andrea Stephenson, BroadwayWorld.Com on “Hedwig and the Angry Inch” at hmac:stage on herr
“Lindsay Bretz-Morgan is brilliant in her role as Yitzhak.”
– Marakay Rogers, BroadwayWorld.Com on “Jesus Christ Superstar” at Mickey’s Black Box
“The production…has a female Jesus, played by local stage veteran Lindsay Bretz-Morgan in what may just be the best work she’s done. Her acting as well as her singing is at a peak here. She conveys to the audience quite physically, as well as emotionally, just how painful it is to try to bring a message to the world.“
“The loudest laughs belong to Lindsay Bretz-Morgan (Miss Adelaide), the perennial fiancé who nearly stops the show with her sneeze-laden gyrations in Act I, and then brings down the house in Act II with “Take Back Your Mink,” the only striptease ever written as one long nasal exhalation.”
– Lewis E. Silverman, The Patriot News on “Guys and Dolls” at Carlisle Theatre
“Bretz-Morgan’s Sally was a standout performance for her vocal talents, acting, and charisma that brought the audience to tears and laughter. Portraying a woman in love, scorned, and perhaps a bit unstable, Bretz-Morgan’s Sally was a highlight of the show.”
– Jason Davis, BroadwayWorld.Com on “Follies” at Suquehanna Stage Company
“The story is spun by…Lindsay Bretz-Morgan, whose voice, if such a thing is possible, sounds better than ever. Bretz-Morgan has sung some of the best women’s parts in theatre, including Eva Peron and Sally Bowles, but her Narrator may just be better than either.”
– Marakay Rogers, BroadwayWorld.Com on “Joseph and the Amazing Technicolor Dreamcoat” at Allenberry Playhouse
Lindsay Bretz Morgan 